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His mother died in a cholera epidemic that swept through Granada, and he was left not only as the sole provider for his younger siblings, but without any visible means of support, and without a profession. He was in the third year of medical school, and engaged to be married, when the family fell on hard times. Benito's father died when he was very young, and the family returned to Granada. Benito's father was from Granada, and was an road engineer who had spent some time in that province. His son, Eduardo Duran Ferrer, has followed in his footsteps as a builder.īenito Ferrer was born in 1845 in Orihuela, Alicante. Agustin Carmona and his son also work in Antonio Duran's shop. The latter two continued their apprenticeships under Eduardo Ferrer. A number of guitar makers have worked under him, including Juan Lopez Aguilarte, Antonio Velazques Reinosa, and Rafael Moreno Aguilar. He builds more classical than flamenco guitars, primarily because there is greater demand for the former. His flamenco guitars, however, are built with a very different system. For his classical guitars, he uses Ferrer's system. In 1957, he suffered an unfortunate accident while working which cost him his right arm. He eventually married one's of Eduardo Ferrer's daughters. So it was that he started working in the Casa of Eduardo Ferrer, first as a maker of castanets, then as an apprentice learning the art ofguitar making. He began working when he was ten, first in an insurance office, then in a pasta factory, later as a wood worker. 2007).Īntonio Duran was born in Granada in 1940. Sometime around 1740 he moved to Madrid where he continued to work until his death in 1779.Īntonio Duran (Granada b. He appears to have done his apprenticeship in Italy building violins in the style of Guarneri. José Contreras, nicknamed "El Granadino," was born in Granada near the beginning of the eighteenth century. His instruments were played by Andrés Segovia, Celedonio Romero, Luis Sanchez, Manuel Cano and Sebastian Maroto.
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Manuel de la Chica retired in 1973 due to poor health. Among his disciples are Antonio Lopez of Paris, Francisco Manuel Diaz of Granada, and Pedro Maldonado of Malaga. Although he achieved fame as a guitar maker, as a luthier Manuel built not only classical and flamenco guitars, butbandurrias, laúdes, bandurrins, laudins, laudons and guitar basses. He claimed that the secret to making a great guitar was to take maximum of the vibrations that begin at the bridge and stop at the height of the sound hole. His technique wasto study how sound waves travel through the guitar. He felt that if you understand how sound travels, then you can improve a guitar's volume and tone. In time, however, he began to evolve his own designs. Already familiar with tools, woods, and having studied a little about acoustics, without any apprenticeship, he began to copy the guitars of Santos Hernandez. He did this work until the late 1930s, when he decided to build guitars. Like many guitar makers, Manuel de la Chica began as a cabinet maker. Manuel de la Chica was a Granada maker who was born in 1911. He was a watchmaker by profession, but built guitars in his spare time. 1800s-1820s)Īugustine Caro Riaño was active in Granada in the first quarter of the 19th century.
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As Baza is a small provincial town, Checa made guitars for other makers, notably for Gerundino Fernandez, Jose Ramirez, Luis Aróstegui, and Benito Ferrer.Īugustine Caro Riaño (Granada, active c. Pedro Martinez Peñalver started with him as an apprentice in 1962, and took over his workshop after his death in 1977. He trained his sons Jose and Vicente Checa, Vicente Perez Checa, Antonio Ruiz, and Pedro Martínez Peñalver. During his life he was a renowned maker, and had won a first prize medal for his guitars at the International Exposition in Madrid in 1953 as well as first prize later in an exposition in Ronda. Born in 1914, Alfonso Checa Plaza was a guitar maker from Baza, a town in the province of Granada, who opened his workshop in 1935.